Maurizio Tiziano Moretto

 

Francesco and Tiziano were the founding members of the group and the driving forces behind the M31 Project until Francesco decided to stop playing.

The great role that Francesco had in his experience with the group was that of a "human glue", always jovial and in a good mood, capable of diluting tensions and mediating positions that could lead to artistic "collisions".

Tiziano is temperamentally more edgy and controversial, his real merit is to focus on the project first of all, and it is in this sense that he manages to come to terms and mediate his positions.

Tiziano is present in all the formations with different roles: in the first he contributed with songs and bringing a different way of setting up the songs,
no longer limited to simple rotations of harmonic turns but alternating very different rhythmic phases within the same composition.

We must remember that in the first half of the 70s progressive rock was the real musical phenomenon, and it is from progressive rock that all the formations, to varying degrees, were inspired both for the choice of sounds and rhythms.

In the third formation the most driving elements were Beppe and Tiziano, at least until they came into conflict with each other. At this point the formation has disbanded.

Tiziano played a bit of everything (bass, percussion, keyboards, but at modest levels), he tried to make himself available to the band for what the needs were.

For example, he started playing keyboards in 1984, when both keyboardists (Franco and Valerio, who returned a few months later) had left the group.

When the band broke up, Tiziano collaborated with various musicians, including Marcello Bonetta, who contributed to the recordings (from 1989 to 1992), which also involved Beppe, with whom relations were then normalized.


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